闵安琪性别再现中领受与反拨的抒写——以《红杜鹃》为例  

The Articulation of Anchee Min’s Identification and Reversal in Gender Representation——The Case Study of Red Azalea

作　　者：赵宁[1] 

机构地区：[1]三江学院外国语学院,江苏南京210012

出　　处：《洛阳师范学院学报》2013年第9期51-56,共6页Journal of Luoyang Normal University

基　　金：江苏省教育厅高校哲学社科基金项目(2011SJD750030)

摘　　要：毛泽东时代革命文艺的女性再现以刻写着国家、阶级、政党的妇女解放话语和消匿传统女性气质的女英雄、"铁姑娘"类型的雄强女性形象昭示着主导性的性别意识形态与权力,建构性别平等的乌托邦。美籍华裔作家闵安琪在其自传体畅销书《红杜鹃》中运用文学再现领受、疏离、质疑与解构了毛泽东时代性别意识形态的宰制,在书中以迷恋中的依从与沉醉,性焦虑中的矛盾与断裂,同性恋中的激情与颠覆抒写了性别政治的文化反拨。The female representation in popular arts of Maoist era is inscribed ruth the power of nation, class, and the Party in the discourse of women＇ s liberation. The image of strong and powerful women, e.g. , female hero and ＂Iron Girl,＂ with the absence of conventional feminity, conveys dominant gender ideology in terms of the utopia of gender equality. In her memoir, Red Azalea, Chinese-American writer Anchee Min articulated her cultural reversal with implication in gender politics. Her gendered literary representation is characterized with subscription, alienation, interrogation and deconstruction of ideological dominance of Maoist era in terms of compliance and infatuation in her obsession, disjuncture and disruption in her sexual anxiety, as well passion and subversion in her lesbian love.

关 键 词：性别再现 闵安琪 《红杜鹃》 

分 类 号：I207.42[文学—中国文学]