京派文学自律诉求的艺术文化学分析  

An Art-Culturological Analysis of the Appeal for Literary Autonomy among the Beijing School Writers

作　　者：张清民[1] 

机构地区：[1]河南大学文艺学研究中心

出　　处：《文艺理论研究》2013年第4期54-61,共8页Theoretical Studies in Literature and Art

基　　金：作者主持的国家社科基金项目"社会语境与文学理论形态生成"[项目编号:05CZW001]的阶段性成果

摘　　要：京派作家坚持文学的自律性,反对从文学作品的外部研究文学,他们以本土话语表述文学的自律性特征,把文学研究引向文学自性的认识。京派作家对形式、技巧、语言等文学内部因素进行了规律性的分析探索,其哲学深度与理论水平在今天依旧值得重视。京派文学的自律诉求是受诗学传统、社会现实、外来理论、职业立场多重因素影响,它给人们理解文学主体精神世界的复杂性提供了一个个性鲜明的文学个案。The Beijing - School writers pursued the autonomy of literature and refuse external research of literature. They used n- ative discourse to describe the autonomic characteristics of literature and directed literary research to literature itself. Their ex- plorative analyses on the form, technique, language and other internal factors of literary research reached a philosophical depth and theoretical level that are still inspiring today. Their appeal for literary autonomy was grounded on such factors as poetical tra- dition, social reality, foreign theory and professional position, and this may prove to be a unique case for scholars to interpret the complex spiritual world of literary subjecthood.

关 键 词：京派文学 自律诉求 艺术文化学 

分 类 号：I206.6[文学—中国文学]