《上海文学》的都市想象:以1990年代为中心  

The Urban Imagination of Shanghai Literature: with Focus upon the 1990s'

作　　者：凤媛[1] 

机构地区：[1]华东师范大学

出　　处：《文艺理论研究》2013年第4期70-77,共8页Theoretical Studies in Literature and Art

基　　金：上海市"晨光计划"项目"20世纪90年代以来京沪城市书写比较研究[项目编号:2008CG32];教育部重点研究基地重大项目"对话时代的中国文学"[项目编号:11JJD750021]阶段性成果

摘　　要：90年代,"都市"和"都市化"不仅是以"当代性、文学性、探索性"为旨归的《上海文学》昂然前行的主线和关键词,也成为其自身生存发展的重要背景。在这一过程中,刊物一方面坚持以多种形式对都市问题的讨论、描述和呈现,显示出其都市想象的图景和脉络,使得其在同类刊物中始终处在一种领先地位;另一方面则试图通过对自身的结构调整,打造出一种多元化、开放式的刊物风格,使得其能够在日趋激烈的市场竞争中获得一种新的局面和角色定位,进一步营建和巩固自己的"文学场",进而参与到愈加复杂的社会文化结构中。从这两点而言,九十年代的《上海文学》凭借它的都市表述以及它自身的都市生存境遇,已经很好地完成了参与中国社会文化的整体建构的目标。Urbanity and urbanization became the two key objectives of Shanghai Literature which claimed to aim at contemporane- ity, literariness and experimental spirit, and the aims had also helped to construct a context for the magazine＇ s popularity in the 1990s＇ , and this made the magazine a leading literary periodical in China. One the one hand, it promoted varied ways to dis- cuss, describe and present urban scenes. On the other hand, it excelled in the literary magazine market through its internal re- structuring and external positioning to create a style of being open and muhifaceted, and hence the magazine succeeded in estab- lishing a literary field of its own, and integrated well into the increasingly complicated social cultural mechanism. The paper con- cludes that Shanghai Literature has both engaged in the construction of Chinese social culture in the 1990s and presented itself as part and parcel of the culture through its representation of the culture.

关 键 词：《上海文学》 都市想象 1990年代 

分 类 号：I206.7[文学—中国文学] G239.2[文化科学]