古代文论范畴“气”与“脉”之关系探赜  

An Investigation into the Relationship between the Categories“Qi”and“Vein”in Ancient Literary Theory

作　　者：熊湘[1] 

机构地区：[1]浙江大学人文学院

出　　处：《文艺理论研究》2013年第4期143-149,共7页Theoretical Studies in Literature and Art

基　　金：教育部人文社会科学研究规划基金项目"中国古代文学结构生成与脉论研究"(项目号:13YJA751042)阶段性成果

摘　　要："气"、"脉"对中医学、堪舆学具有重要意义,同时也是古代文论的重要范畴。在古代文论中,"气"与"脉"之关系主要通过范畴"气脉"体现出来,表偏正意的"气脉"指文气运行的通道,而作为并列结构的"气脉"则反映了"气"对"脉"的充实,"脉"对"气"的约束等含义。文气说发展的内在要求使得气脉说得以产生,主体在创作或鉴赏过程中对作品"意"、"理"、"象",字句、章法、音律、节奏等方面的注重,深刻揭示出"气"、"脉"之间的多维度关系,而"气"在作者、作品、读者三者之间的流贯,体现出"脉"的更高层次的要求。＂Qi＂ （ vital force） and ＂Vein＂ are very important for traditional Chinese medicine and geomancy, and they are signif- icant categories in ancient Chinese literary theory as well. The relationship between ＂Qi＂ and ＂Vein＂ relates to the meaning of the compound phrase ＂Qimai. ＂ When the two - character phrase is of subordinate structure, it refers to a channel by which ＂Qi＂ flows in a literary text. When it is of parallel structure, the phrase points to the filling- up of ＂Vein＂ by ＂Qi＂ and the control- ling of ＂Qi＂ by ＂Vein. ＂ The evolution of the concept of ＂Wenqi＂ （ literary vital force） makes possible the concept of ＂Qimai. ＂ In the process of composition and appreciation, the author focuses on ＂Yi＂ （meaning）, ＂Li＂ （principle） and ＂Xiang＂ （image） in the text, as well as the syntax, discursive grammar, rhyme scheme and rhythm. While the multidimensional relation between ＂Qi＂ and ＂Vein＂ is revealed in the process, ＂Qi＂ runs between the author, the text and the reader, reflecting a higher require- ment of ＂Vein. ＂

关 键 词：文气 气脉 意 理 范畴 

分 类 号：I206.2[文学—中国文学]