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作 者:杜晓勤[1]
出 处:《陕西师范大学学报(哲学社会科学版)》2013年第4期64-71,共8页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
基 金:教育部新世纪优秀人才支持计划项目(NCET-10-0173)
摘 要:《白氏文集》卷11卷首体式标注之"古体",与同属感伤诗的卷9、卷10之"古调诗"是同体异名,均指五言古诗。《白氏文集》卷11卷首之所以标为"古体",而非此前诸卷所标之"古调诗"与《白氏长庆集》的实际编撰者元稹诗体分类观念和诗集编撰方式的新变有关。从元和中期开始,元稹就减少了讽谕寄兴作品的创作,与之相应,他在元和末年及长庆初编撰诗集时也不再使用"古讽"、"乐讽"和"律讽"等诗体名称。至长庆四年(824)编百卷《元氏长庆集》时,元稹则将以前创作的讽谕寄兴之作归入"古诗"和"乐府",将非讽谕题材的五言古诗归入"古体诗"和"伤悼诗"。基于同样的考虑,元稹在同年稍后编《白氏长庆集》时,就将白居易新近创作的感伤诗,且为五言古诗最后1卷的卷11,标为"古体",而非沿用白居易原先自编诗集时所用的"古调诗"。这不仅反映了元稹本人创作趣味和诗体分类方式的转移,与元和中期至长庆末年白居易五言古诗创作题材的嬗变也是相合的。The "pre-Tang sty/e" labeled in the initial style of Volume 11, and the "ancient-tone poetry" in Volumes 9 and 10 of Bai's Collection of Poetrys were different names of the same style of poetry, lament poetry. In fact, the choice of the term "pre-Tang style" rather than the "ancient-tone poetry" was associated with Yuan Zhen, the actual compiler of Bai' s Collection in Imperial Title of Changqing' s change in idea and form of poetic classifi- cation and compilation. Since the midst of Imperial Title of Yuanhe, Yuan Zhen lessened his writing of ironic and analogous poems, and accordingly he ceased to use such titles of poetic styles as "pre-Tang style", "musical style", and "regular style" when he compiled the collection of poetry in the late Imperial Title of Yuanhe and early Imperial Title of Changqing. Up to the 4th year of Imperial Title of Changqing (824 A. D. ), when he was compi- ling the hundred-volume Yuan' s Collection of Poetry, Yuan classified his ironic and analogous poems as "old po- ems" and "Yuefu poems" but non-ironic five-foot poems as "ancient-style poems" and "lament poems". Similar- ly, when he was compiling Bai' s Collection of Poetry in Imperial Title of Changqing later that year, he labeled those five-foot lament poems currently written by Bai Juyi as the "ancient-style poems" in Volume 11, the last of the collection. This not only showed Yuan Zhen' s change in his writing taste and classification of poetic style, but also agreed with Bai Juyi' s evolution in subject matter of five-foot poetry writing between the late Imperial Title of Yuanhe and early Imperial Title of Chan^ain~.
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