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作 者:张俊[1]
出 处:《厦门大学学报(哲学社会科学版)》2013年第4期24-32,共9页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
基 金:国家社科基金重点项目"爱在美学中的基础性研究"(13AZX027)
摘 要:"理论"与文化研究的相继兴盛,使得20世纪上半叶形式主义文学理论确立起来的纯粹文学理论的知识幻象破灭。文学知识界已经普遍接纳"理论"与文化研究为文学理论在20世纪下半叶的两次重大转型变迁。这就意味着文学理论必须放弃其原来的边界甚至学科自足性,成为一种新的跨界知识形态。文学理论的未来图景,或者将在最宽泛的意义上称其为"话语理论"。The successive prosperities of Theories and Cultural Studies, crashed the knowledge illusion of purely liter- ary theory which was built by formalists in the first half of 20th century. The academics of literature had generally accepted the fact that Theories and Cultural Studies were the two important transformations of literary theory in the second half of 20th century. This meant that literary theory had to abandon the former boarder, and become another new interdisciplinary form of knowledge. The future prospect of literary theory might be viewed as certain Discourse Theory.
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