油画“民族化”与动画“民族化”  

The “Nationalization”of Oil Painting and Cartoons

作　　者：李南[1] 谭明祥[2] 孙洪[1] 

机构地区：[1]西南民族大学艺术学院 [2]华南农业大学艺术学院

出　　处：《民族学刊》2013年第4期97-102,134-136,共9页Journal of Ethnology

基　　金：教育部人文社会科学2010年度一般项目"中国动画的主要缺失与对策研究"(项目编号:10YJA760028);四川省教育厅四川动漫研究中心项目(项目编号:20111108);西南民族大学2011年研究生学位点建设项目(项目编号:2011XWD-S0504)成果

摘　　要：动画"民族化"沿袭自油画"民族化"口号和艺术实践,其出发点是为迎合大众的欣赏习惯,立足解放初期本土80%文盲"工农兵"接受的主体上,其目的是作为教育人民、打击敌人的思想武器,"民族化"与教育紧密相关。文革结束后,油画界专家学者不再提出"民族化"后,动画界至今仍然沿续着"民族化"道路摸索前行,这种实践十分不利于动画的健康发展。动画产业化过程中,解除"民族化"思想束缚至关重要。1. Breakout of Oil Painting After crushing the ＂ gang of four＂ in October 1976,Deng Xiaoping returned to political power, and all China advocated ＂emancipating the mind, and seeking truth from facts＂. Following this,people began to break through extreme leftist thought, and re think the gains and losses which came from nationalization. It was only then that oil painting could experience a spring of letting ＂all flowers bloom together and all schools of thought contend together＂. For instance,＂Conquering the President＇s Mansion＂painted by Chen Yifei and Wei Jingshan in 1977 used the former Soviet Union＇s realism and French Romanticism; Gao Xiaohua,a representative of scar fine art School, painted ＂Why＂and ＂Catch the Train＂in 1978, which both presented the former Soviet Union＇s realism style; ＂Father＂painted by Luo Zhongli in 1980 shows the American surrealism style; ＂The Spring Wind Has Woken Up＂painted by He Duolin in 1982 illustrates American realism style; ＂ Tibet Series ＂by Chen Dangqing in 1982 reflects Courbet＇s realistic style; ＂Qu Qiubai in Prison＂painted by Xin Shanyi in 1984 incorporates a French Classical Style; ＂Field＂made by Wang Yuqi in 1984 is a work painted with Rembrandt＇s realistic style; ＂Girls from the North＂ painted by Yang Feiyun in 1987 has a French classical realism style. Of course,there were also artists who formed a ＂national form＂from painting murals. These included Yuan Yunsheng, Xiao Huixiang,Li Huaji, Liu Bingjiang , even the ＂Nationalistic＂painter,Wu Guanzhong. During this period,the creation of oil paintings had very specific, individual features. Allworks came from the painters’individual feelings and desires,and this broke away from having to choose a single ＂national style＂. These works are the result of human oriented rules which respected artistic rules,and originated from the artists＇life experiences. In the process of history,Chinese figure painting s changed dramatically. For example,Xu Beihong,Jiang

关 键 词：民族化 大众化 油画 民间美术 

分 类 号：C95[社会学—民族学]