中国女性农民工在海外当代纪录电影中的呈现与表达——以“LAST TRAIN HOME(归途列车)”、“SHE,A CHINESE(中国姑娘)”、“GHOSTS(鬼佬)”为例  

Cinderella's Imagination with a Woman's Dream:Chinese Female Migrant Workers in Overseas Contemporary Documentary Films and Expressions

作　　者：吴小君[1] 刘小霞[2] 

机构地区：[1]重庆大学新闻学院 [2]西南大学新闻传媒学院

出　　处：《新闻与传播研究》2013年第7期66-79,127,共14页Journalism & Communication

基　　金：教育部人文社科项目"身份嬗变与舆论角力:重大突发公共事件中提高新媒体舆论引导能力研究"(项目编号:12YJCZH216)的阶段性研究成果

摘　　要：本文以海外纪录片电影"LAST TRAIN HOME(归途列车)"、"SHE,A CHINESE(中国姑娘)"、"GHOSTS(鬼佬)"为例,运用"他者"、"解构"、"话语"等理论,分析了当代中国青年女性形象塑造呈现出的新趋向。In this article,the author uses three films,Last Train Home,She,A Chinese,and Ghosts,as examples to analyze a new trend in presentations of contemporary young Chinese females' image,utilizing theories of other person,deconstraction,and discourse.The trend is that the woman portrayed breaks free from the shackles of the patriarchal maiden household and her own married household dominated by the husband.She then starts a career in the expectation of realizing her self-worth.However,she is ultimately forced by desperation to return to her spiritual home,the family.

关 键 词：海外纪录片 女性农民工 灰姑娘的想象 大女人之梦 

分 类 号：J905[艺术—电影电视艺术]