从洞经音乐到“纳西古乐”——丽江洞经音乐的本土化与身份重构  

From the Dongjing Music to “Naxi Ancient Music”——The localization and identity reconstruction in Lijiang Dongjing music

作　　者：杨杰宏[1] 

机构地区：[1]中国社会科学院民族文学研究所,北京100732

出　　处：《内蒙古大学艺术学院学报》2013年第2期49-57,共9页Journal of Art College of Inner Mongolia University

基　　金：2011年度云南省哲学社会科学规划立项课题"滇西北洞经音乐调查研究"(YB201164);云南省教育厅2011年度科研基金项目"滇西北洞经音乐调查研究"(2011Y487)阶段性成果

摘　　要：丽江洞经音乐由原来的"道教音乐"先后嬗变为"文人音乐""雅乐""丽江古乐""纳西古乐"等不同名称,从中折射出不同时代的语言对这一族群艺术身份的不同定位。从丽江洞经音乐的本土化最终结果来看,不同族群之间的文化融合与认同,既有利于消除社会阶层的对立与族群鸿沟,也有利于族群及其文化的重构与地方文化的多样性发展,由此也阐明了洞经音乐作为一种文化艺术在族群文化重构中的意义与功能。Lijiang Dongjing music has evolved from the original ＂Taoist music＂ into a ＂music＂ and ＂scholar music＂ , ＂ ya music＂, ＂Lijiang ancient music Naxi ancient music＂ and other names, from which reflects the different positioning identity of different group of art language. From the localization result of Lijiang Dongjing music, we see that culture and identity between different ethnic groups, is conducive to eliminate the opposition and ethnic division of social class, and it is also helpful to the development of reconstruction of ethnic and cultural diversity and local culture. This paper also clarifies the significance and func- tion of Dongjing music as a cultural art in reconstruction of the culture of ethnic groups .

关 键 词：洞经音乐 纳西古乐 族群身份 文化认同 

分 类 号：J607[艺术—音乐]