从“骆驼舞”仪式行为解析撒拉族传统文化  

Analysis on Salar Traditional Culture through Camel Dance Ceremonies

作　　者：王海龙[1] 

机构地区：[1]青海师范大学音乐系,青海西宁810008

出　　处：《青海师范大学学报（哲学社会科学版）》2013年第3期117-119,共3页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

基　　金：教育部人文社会科学规划基金项目<撒拉族传统音乐形态研究>(11YJA760070)

摘　　要：人类的思维、思想是无形无影的,它的存在是通过借助于行为载体来表现的。撒拉族在婚礼仪式中将"骆驼舞"转化为一种物态符号,成为一种思想感情的载体,寄托着对撒拉先祖东迁历史的追忆和缅怀。本文从音乐艺术文化特性和符号特性入手,将音乐视为一种隐性文字来探究"骆驼舞"中所承载的撒拉族民族文化。Humans＇ thoughts and ideas are invisible.Its existence is represented by behavior carrier.On the wedding ceremonies of Salar nationality,＂camel dances＂ have been converted into a symbol of state,being a carrier of the thoughts and feelings,and with emotional factors which are caused by the displaced sufferings and religious disaster,and which Salar people keep in heart to commemorate their ancestors.This paper,beginning with cultural and symbolic characteristics of music,views music as an invisible words in order to study the Salar ethnic culture which ＂camel dances＂ are bearing.

关 键 词：撒拉族 骆驼舞 符号 音乐文化 

分 类 号：K892.24[历史地理—民俗学]