青海宗教音乐形态及其特征  

Forms and Characteristics of Religious Music in Qinghai

作　　者：张连葵[1] 李锦辉[2] 

机构地区：[1]青海师范大学音乐系,青海西宁810008 [2]青海省文化馆,青海西宁810000

出　　处：《青海师范大学学报（哲学社会科学版）》2013年第2期112-118,共7页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

基　　金：青海省社会科学规划项目<青海民族音乐研究>(11016)

摘　　要：本文论述了青海宗教音乐包括藏传佛教音乐、汉传佛教音乐、道教音乐和伊斯兰教经韵的形态特征及其形成缘由,揭示了其赖以生存的文化背景与蕴藏深厚的文化内涵。This paper exemplifies historical origins, types, and characteristics of religious music in Qinghai. It covers the Tibetan Buddhism music, the Han Buddhism music, the Daoism music, and the Islam- ic Rhyme. It analyzes features of the different forms and reasons that shape these features, and discovers the cultural background that is indispensible to the existence of thses music forms and their deep cultural connotation.

关 键 词：青海宗教音乐 藏传佛教音乐 汉传佛教音乐 道教音乐 伊斯兰教经韵 

分 类 号：J608[艺术—音乐]