丝绸之路上的乌兹别克斯坦工艺美术  

Uzbekstan Arts and Crafts in the Silk Road

作　　者：周菁葆[1] 

机构地区：[1]海口经济学院艺术研究所,海南海口570203

出　　处：《新疆艺术学院学报》2013年第2期4-12,共9页Journal of Xinjiang Arts University

摘　　要：乌兹别克斯坦的金属工艺是一个多彩的世界,它不仅将萨珊工艺的精华融入自己的作品中,还借鉴了中国工艺的优秀传统,从而创造性地发展了中亚金属工艺。中世纪早期绘有人形装饰的陶瓷是突厥-栗特人文化共生因素之一。撒马尔罕的施釉的陶瓷绘有典型游牧民文化特点的禽鸟、山羊、公羊和鹿的图案。乌兹别克斯坦的工艺与萨珊伊朗、唐代中国的相互交流,并未泯灭其独特的风格,反而在古代丝绸之路工艺美术中绽开出一枝绚丽的奇葩。The Sassanian metal arts and crafts in Uzbekstan is a colorful worhl,which not only put essenee of Sassanian arts in its works, but use the Chinese traditional arts for reference and develop the metal technology in Middle Asia creatively. In early of the Middle Age the potteries with the figure of men is one of the causes that tile cuhure of the Turks and Lite people existed together.Samarkand potteries with patterns of birds, goats, rams and deer with typical features of nomad cultures. Uzbekstan arts technology still keeps its unique style ahhought it communicated with Sassanian Iran and China in Tang Dyansly.

关 键 词：丝绸之路 萨珊工艺 中国工艺 乌兹别克斯坦工艺 

分 类 号：J509.362[艺术—艺术设计]