论明清之际女词人王端淑的词学观  

Wang Duanshu’s thoughts on Ci:a critic in late Ming Dynasty and early Qing Dynasty

作　　者：赵宣竹[1] 

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《东南大学学报（哲学社会科学版）》2013年第2期119-124,136,共6页Journal of Southeast University(Philosophy and Social Science)

摘　　要：明代词学批评之风特盛,王端淑便是受这种影响而在女性词学批评史上成就斐然的一朵奇葩。她辑《名媛诗纬初编》,其中对"诗余集"所选词作之评点透露出她严谨的词体创作理论和高明的词学批评观:首次将"尊体说"推向了新的高度,比清代男性学者早了几十年;首次提出"诗老词秀"说,成为后世刘熙载等人"词秀说"的先驱;主张"以情铸词"的创作核心观;推崇"清新"与"朴切"的词学风格;又杂以"韵庄""入情"、"灵慧""可思"的创作技巧观,"兼容并蓄"的词家论,和重寄托、倡"黍离"的词作题材论,构成了她的总体词学观。她的词学观可视为李清照《词论》的嗣响,也开了明清女性词坛文学批评之先河,对明清两代词学理论的发展有着承上启下的意义。Among the starry Ci critics in Ming Dynasty,Wang Duanshu,an accomplished woman critic,was one of them.Her masterpiece Poetry of Famous Women exhibits her meticulous theory and fresh criticism.Her viewpoint of Ci could be seen as the continuity of Li Qingzhao’s Ci theory as well as a pioneering work for female Ci-poetry criticism.In this sense,Wang Duanshu is a key figure for Ci studies in Ming and Qing Dynasties.

关 键 词：词学观 女性 王端淑 

分 类 号：I207.23[文学—中国文学]