论元散曲中的苏轼形象塑造  

The Image Shaping of Su Shi in Yuan Opera

作　　者：张文利[1] 

机构地区：[1]西北大学文学院,陕西西安710127

出　　处：《山西大学学报（哲学社会科学版）》2013年第5期23-27,共5页Journal of Shanxi University(Philosophy and Social Science Edition)

基　　金：国家社科基金项目"宋代文学与理学的关联性研究--以书院为中心"(09ZXW005);陕西省教育厅项目"宋代理学与文学的相关性研究"(09JK239)

摘　　要：苏轼不是元散曲中出现最多的前代文人,却是塑造得最客观丰满的人物。与对陶渊明、屈原的人格、道德评价相比,元散曲中的苏轼,得到了元代文人在人格魅力、个人遭际、文学成就等诸方面的全面描绘。元代文人对苏轼形象的塑造,与苏轼本人的魅力、元散曲的抒情特质以及元代文人的精神指向都有关系。Although Su Shi was not the most frequent literati and plump way. Compared with Tao Yuanming＇ s and Qu in the Yuan Opera, he was shaped in the most objective Yuan＇ s personality and morality, Su Shi was depicted comprehensively in personal charisma, experiences and literary achievements by the writers in Yuan dynasty,which had close relationship with Su Shi＇ s charm, the emotional characteristics and the spiritual direction of the writers of Yuan dynasty.

关 键 词：元散曲 苏轼 形象塑造 原因探析 

分 类 号：I207.24[文学—中国文学]