边地大曲对开元天宝诗歌风格的影响  

Influence of Grand Piece of Song and Dance from the Border Land on the Poetic Style of Kaiyuan and Tianbao Periods

作　　者：赵梅赏[1] 黄福元[2] 

机构地区：[1]河北医科大学国际教育学院,石家庄050090 [2]河北师范大学文学院,石家庄050090

出　　处：《大理学院学报（综合版）》2013年第8期63-67,共5页Journal of Dali University

摘　　要：开元、天宝年间,大量诗歌谱入边地大曲传唱。边地大曲的传辞受乐曲特质影响和制约,多选用七言绝句的形式。这些诗作择韵响亮,选题刚健壮阔,情调苍凉悲慨,均体现出鲜明的边地大曲特色。边地大曲的诸多音乐要素共同作用,对盛唐诗风产生了影响。During Kaiyuan and Tianbao periods in Tang Dynasty, a great number of poems were introduced into the grand piece of song and dance from borderland to be sung and disseminated. Influenced and limited by the feature of music, the grand piece of song and dance from borderland applied mostly the form of seven-character-quatrain （Jueju）. These poems selected sonorous rhymes, magnificent themes and dreary emotions, reflecting their distinct characteristics. Through the combined effects of various musical elements, the grand piece of song and dance from borderland brought its influence to the style of poetry in the glorious age of Tang Dynasty.

关 键 词：边地大曲 开元天宝 诗歌风格 影响 

分 类 号：I207[文学—中国文学]