双重束缚下的边缘写作——少数民族文学女性主义研究的几个论域  

Marginal Writing within Double Constraints:New Visual Angles of Ethnic Literature and Gender Studies

作　　者：李天福[1] 

机构地区：[1]重庆文理学院文化与传媒学院,重庆402160

出　　处：《贵州民族研究》2013年第4期97-100,共4页Guizhou Ethnic Studies

摘　　要：普适性文学理论运用于民族文学研究时缺乏针对性,易于忽略民族文学多样性的存在形态。民族文学研究需要将西方理论本土化、普适性理论具体化,以跨学科的视野和方法开展。女性主义诗学是民族文学研究的重要维度,少数民族女性作家因处于"女性身份认同"、"本民族文化认同"和"中华民族文化认同"的复杂交织中,其创作不同于汉族女性作家。就此视角而言,可从民族文学的女性形象批评、重构少数民族文学史、少数民族女性写作研究以及民族文学的女性主义叙事研究等方面进行探索。The general theory of literature may be lack of systematization and pertinence when be to analysis on ethnic literature. The diversity of ethnic literature can not be ignored. Feminist poetics is an important dimension of ethnic literature＇s studies. ＂Female identity＂, ＂national culture identification＂ and ＂Chinese cultural identity＂, are the foundation of minority women writers when they writing. Therefore, minority women writers are different from female writers of Han nationality. In terms of the feminist perspective, women＇s image criticism, Reconstructing female literary history, minority female writing and feminist archaeology are also important methods.

关 键 词：民族文学 女性写作 女性主义诗学 女性形象批评 

分 类 号：I207.9[文学—中国文学]