文学感性的回归——徐志摩与丁玲的南洋叙事及其意义  

The Regression of literature Inductive——On the Narratives of Nan Yang and its Value in the novels of Xu-Zhimo and Ding ling

作　　者：颜敏[1] 

机构地区：[1]惠州学院中文系,广东惠州516007

出　　处：《暨南学报（哲学社会科学版）》2013年第6期18-25,161,共8页Jinan Journal(Philosophy and Social Sciences)

基　　金：教育部人文社会科学基金课题项目<台港澳暨海外华文文学的内地传播研究及史料整理>(批准号:12YC751094);国家社会科学基金重大项目<百年海外华文文学研究>(批准号:11&ZD111)

摘　　要：有关异域的文学想象,其价值常常建立在文学之外的社会、国家、民族等层面。如何在对差异的体验理解中生成更具有审美性的文学话语,当是跨文化叙事所面临的重大难题。对于徐志摩和丁玲的南洋叙事,不必拘泥于某些研究者的结论——用东方主义的帽子将他们一棍子打死;相反,他们在塑造"南洋情人"这一具有时代性的异域形象时,在保持异域与自我的区别意识的同时,以其人性化的特殊走向、无意识的情感驱动机制以及在古语洋腔间寻求异域经验的诗意表述方式等动向,显现了现代作家的异域叙事回归文学感性之可能及困境。The value of the literary image of the foreign lands is always built on the sight of society,nation and etc.How to produce a more aesthetic discourse from the experience and ideas of other-land is an important subject when we talk about narrative between cultures.Hense the narratives of Nan Yang in the novels of Xu-Zhimo and Ding ling are not as rigidly adhere to some scholars’ rude conclusion,because they only complety regated them.In fact,when they created the lovers from Nan Yang,an image of those times,they not only preserved the difference between main land,but also showed a possibility and dilemma to return the literature sensibility with three trends: first,the particular trend to respect human nature;second,the creating power from unconsciousness and the pursuing to a poetic expression of experience from foreign lands.

关 键 词：南洋情人 徐志摩 丁玲 异域 文学感性 

分 类 号：I206.7[文学—中国文学]