赣南传统采茶戏音乐对现代粤东采茶戏的影响——以《乌云下的歌声》唱腔为例  

The Impact of Traditional Tea-Picking Opera Music in Southern Jiangxi Province on the Modern Tea-Picking Opera Music in Eastern Guangdong Province——Under a Dark Cloud Song singing as an Example

作　　者：范晓君[1] 李琳[1] 

机构地区：[1]肇庆学院音乐学院,广东肇庆526061

出　　处：《肇庆学院学报》2013年第4期58-62,66,共6页Journal of Zhaoqing University

基　　金：教育部人文社会科学研究基金资助项目(09YJA760046);广东省哲学社会科学"十一五"规划基金资助项目(09R-01)

摘　　要：粤东与赣南接壤,同属客家人聚居区,历史上采茶歌舞的交流频繁。而近代、现代、当代粤东采茶戏受赣南采茶戏的影响极大。现代粤东采茶戏《乌云下的歌声》主要唱腔的主题旋律均来自赣南传统采茶戏音乐。赣南传统采茶戏音乐对现代粤东采茶戏的影响主要表现为3种形式:一是对赣南原采茶戏曲调的运用;二是将几首原曲调进行整合,从而形成新曲调;三是探索板式变化,发展音乐。《乌云下的歌声》的音乐设计突破了传统采茶戏过多套用现有曲调的做法,使原本"歌舞性"音乐唱腔具有"戏剧性思维"。Eastern Guangdong borders on Southern Jiangxi, both of which are Hakka residential areas and have a history of tea-picking dance exchange. Tea-picking opera music in Southern Jiangxi has great influence on that in eastern Guangdong recently. The main melody theme in Under a Dark Cloud Song, a modem eastern Guangdong tea-picking opera, is from the traditional tea-picking opera music in Southern Jiangxi. The influence exists in three forms： namely the tune application of tea-picking opera music in southern Jiangxi, the combination of the two or three original tunes to form a new tune, and the exploration of type change to develop the music. The music design of the song breaks through the traditional tea-picking play of excessively using existing tunes to turn ＂dance＂ tea-picking music into that of ＂dramatic thinking＂.

关 键 词：赣南传统采茶戏 粤东采茶戏 《乌云下的歌声》 

分 类 号：J607[艺术—音乐]