李世民帝王诗与明初台阁体异同之比较  

The Comparative Analysis of Emperor Poetry of Li Shimin and Tai Ge poetry

作　　者：武元甲[1] 

机构地区：[1]陕西理工学院文学院,陕西汉中723001

出　　处：《长治学院学报》2013年第3期62-65,共4页Journal of Changzhi University

摘　　要：作为较为特殊的诗人群体之一,历代封建帝王的诗作独具鲜明的艺术特征,而其中李世民的帝王诗风格俊朗,更凸显出雄壮帝王之气。明朝以杨士奇、杨荣等为代表的台阁体虽为皇帝所作,理应亦俱帝王之象,然而,其却更多地充溢着粉饰太平、歌功颂德的色彩,进而将诗歌沦为情感空洞的异化工具。李世民帝王诗虽亦有极少平庸粉丽之篇,但总体上还是气象恢弘,且李世民帝王诗在善发政治情怀、融情于景、真实感情流露等诸多方面不同于明初台阁体,不仅直接导致两者诗体风格迥然不同,而且客观上决定了李世民帝王诗在诗歌艺术成就上大大超越了明初台阁体。The emperors of feudalism in ancient China are one of special groups in creating poetry. And their poetry has unique art features. Li Shimin as a monarch in Tang Dynasty had also created a lot of poetry, and his poem style has grandeur feelings and majestic spirit belonging to emperor. However, another poetry form had occurred in Ming Dynasty which is call Tai Ge and presented by Yang Shiqi. This kind of poetry was created for the emperor and should also have monarch feelings. But the fact is this form of poetry was only used to praise the emperor and describe a wonderful and peace scene in monarch＇s reign and became an alienation tool without any true feelings. Li＇s poems also had some mediocre and showy ones, but in general, it was in a magnificent state. And Li＇s poetry was different from Tai Ge in political emotion, expressing their own natural sentiment and melting his feelings in scene, and further these features objectively determined Li Shimin＇s poetry of emperor much surpassed Ming Dynasty＇s Tai De poem in poetry art achievement.

关 键 词：李世民 帝王诗 台阁体 异同比较 

分 类 号：I207.2[文学—中国文学]