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作 者:李涛[1]
出 处:《合肥师范学院学报》2013年第4期83-89,共7页Journal of Hefei Normal University
基 金:2010年教育部人文社科规划基金项目"压抑与释放:中国性灵文学思想传统及其现代转化研究"(10YJA751037)的阶段性成果
摘 要:20世纪30年代,晚明性灵文学思想能够重新浮出历史地表是得益于周作人的发现与倡导。在思想自身与个人因素的双重作用下,循着现代新散文与明末性灵小品具有近似性这一可靠依据,经过漫长的文学阅读与较为系统的理论思考,周作人提出明末的性灵文学运动和现代的新文学运动在文学主张与发展方向上是一致的,都属于文学回归"言志"的性质。由此而来,周作人从晚明性灵文学思想中解读出具有现代气息的反礼教反压抑反载道的文化反抗动机,以及契合现代文学发展方向的讲个性、求真实和重趣味的审美倾向。In the 1930s, the spiritual literary thoughts in the late Ming dynasty emerged from the history due to ZHOU Zuorens discovery and advocacy. In the dual role of the ideological and personal factors and after a long literary reading and more systematic thinking, ZHOU Zuoren found the late Ming spiritu al literary movement shared the same literary proposition and the development direction with the new liter ary movement by following the reliable evidence of the similarities between the modern prose and the spir itual literary works. is the same about returning to the nature of the "Poems" new modern prose with the Ming Dynasty spirit sketch with approximate this reliable basis, after, proposed late. Therefore, ZHOU Zuoren interpreted the antiethics with modern antirepressed anticontained cultural resistance motiva tion, as well as real aesthetic tendencies from the spiritual literary thoughts in the late Ming Dynasty.
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