新世纪以来中国电影创作中写实与写意镜头的配合关系及其对电影产业发展的推动作用  

Cooperative Relationship between Realistic and Liberal-style Shots of Chinese Film Creation in New Era and its Positive Function to Film Industry Development

作　　者：张智华[1] 

机构地区：[1]北京师范大学艺术与传媒学院,北京100875

出　　处：《艺术百家》2013年第5期51-55,共5页Hundred Schools In Arts

基　　金：国家广电总局科研基金项目"新世纪以来中国电影表现方法与电影产业的发展"(项目编号:GD1186)阶段性成果之一

摘　　要：新世纪以来的中国电影艺术创作中有些影片写实镜头较多,写意镜头较少;有些影片写实镜头较少,写意镜头较多;有些影片写实镜头与写意镜头几乎各占一半。从电影艺术创作的角度,写实镜头与写意镜头结合紧密,增强了影片的表现力与感染力,也增强了电影的传播效果与市场竞争力,从而推动了电影产业的发展。There are more realistic shots than liberal - style shots in some Chinese films in new era. There are more liberal - style shots than realistic ones in some other films. And there are equal numbers of realistic shots and liberal - style ones in other films. The close relationship between realistic shots and liberal - style shots not only strengthen the expressive power and appeal of film, but also enhance its transmission effect and competitive power in market, and this finally promotes the development of film industry.

关 键 词：影视艺术 新世纪 中国电影创作 写实镜头 写意镜头 电影产业 关系 推动作用 

分 类 号：J90[艺术—电影电视艺术]