也谈“样板戏”的女性革命神话——“样板戏”女性群像成因探究  

On the Mythology of Female Revolution in Model Opera——Causes of Female Images in Model Opera

作　　者：杨葵[1] 徐冬[1] 

机构地区：[1]华中师范大学文学院,武汉430079

出　　处：《乐山师范学院学报》2013年第7期35-39,共5页Journal of Leshan Normal University

摘　　要："样板戏"作为"文革"特殊历史环境下的文艺产物,产生距今已四十余年。"样板戏"的突出特征是塑造了一大批典型的女性英雄形象。从历史角度看",样板戏"女性形象数量众多出于江青的政治野心;从政治角度看,女性群象的出现成为了响应政府"男女平等"号召的工具;从社会角度看,主流媒介"炮轰式"的报道是导致"样板戏"女性群像形成的重要原因;从文化角度看,"样板戏"中女性众多是文艺创作受官方文学话语"钳制"的后果。As the literary product of the special historic environment of the Cultural Revolution, model opera has come into existence for more than 40 years. The outstanding feature of the model opera is that it has shaped a lot of typical heroine images. Historically, the large number of heroine images in the model opera results from Jiangqing＇s political images. Politically, the appearance of female images become the tool of calling for the government＇s policy of the equality between men and women. Socially, the massive coverage of the mainstream media leads to the formation of female images in model opera. Culturally, it is because literary creation is suppressed by the official literary discourse that results in the female images in the model opera.

关 键 词：样板戏 女性英雄 女性群像 

分 类 号：I206[文学—中国文学]