民间艺术原生性研究的回顾与思考  

Reviewing and Thinking of Research on Originality of Folk Arts

作　　者：张欧[1] 汪小洋[2] 

机构地区：[1]南京信息职业技术学院,南京210023 [2]东南大学,南京210096

出　　处：《阅江学刊》2013年第4期129-136,共8页Yuejiang Academic Journal

基　　金：江苏省高校哲学社会科学研究项目"民间艺术原生性特质研究"(2012sjd76002)

摘　　要：民间艺术的原生性是民间艺术有别于其他艺术的基本特征,是"民艺学"的重要理论基石。在国内,张道一先生和潘鲁生教授对这一课题作了较为深入的研究,孙家正、杨先让、靳之林、吕品田等专家学者亦皆有所论述。在国外,法国艺术家让·迪比费对于原生艺术(或译"生涩艺术")作了较长时间的收集与探索。既往的研究虽然取得了一定成绩,但还没有充分认识到这一理论命题的重要价值,因此,亟待开展系统的专题研究。把原始艺术、儿童艺术、民间艺术三种艺术打通互证,将是未来研究民间艺术原生性的主要方法。The originality of folk arts is its essential characteristic which makes it different from other arts, and it is also an important theoretical foundation of folk arts. In China, Mr. ZHANG Dao-yi and Prof. PAN Lu-sheng conduct thorough research on this subject. Scholars such as SUN Jia-zheng, YANG Xian-rang, JIN Zhi-lin and LV Pin-tian have made comments on this issue. Dubuffet, French artist, has explored and collected jerky art for a long time. Throughout the past researches, significant values of this theoretical proposition have not been fully recognized despite some achievements. Therefore, systematic monographic study needs to be car- fled out as soon as possible.

关 键 词：民间艺术 原生性 述评 

分 类 号：J528[艺术—艺术设计]