转型期宋代音乐女性化趋势探析  

Analysis on the Trend of Music Feminization in the Transitional Song Dynasty

作　　者：吕建康[1] 

机构地区：[1]陕西师范大学历史文化学院,西安710062

出　　处：《安徽广播电视大学学报》2013年第3期82-86,共5页Journal of Anhui Radio & TV University

基　　金：陕西省教育科学"十二五"规划项目(项目编号:SGH12311)

摘　　要：商品经济高度发达和民族关系错综复杂的宋代时期,其音乐文化的发展也处于重大转型期。由此而出现了一系列新的特征,如世俗化、商业化、小型化、多样化等等。以往学术界对这些变化已有过广泛研究,但笔者发现除此之外仍有新特点被长期忽视,比如——音乐女性化等。本文对宋代音乐女性化在宫廷和民间的表现进行整理研究,以期能对全面理解转型期宋代音乐的特征提供些许帮助。With highly developed commodity economy and complex ethnic relations, in Song Dynasty, the music development is undergoing a major transitional stage, showing a series of new features such as secularization, commercialization, miniaturization, diversification and so on. In academia, these characteristics have been widely studied, but it is found the feature of music feminization has long been ignored. This article analyzes the Song Dynasty music femininization both in the royal palace and among the folk, hoping to provide some help to understand the characteristics of the Song Dynasty music in the transitional period.

关 键 词：宋代 转型期 音乐女性化 

分 类 号：J609.2[艺术—音乐]