论阿沃·帕特钟鸣音乐创作的整体风格特征与成因  

The Overall Style Characteristics and Origin of P·rt Arvo's Tintinnabuli

作　　者：许琛[1] 

机构地区：[1]福建师范大学音乐学院,福建福州350108

出　　处：《内蒙古大学艺术学院学报》2013年第3期95-98,共4页Journal of Art College of Inner Mongolia University

基　　金：2012年教育部人文社会科学研究青年项目课题"1+1=1:阿沃.帕特钟鸣音乐研究"(项目编号:12YJC760100);2012年福建省社会科学规划项目青年项目(项目编号:2012C065)阶段性研究成果之一

摘　　要：标榜着阿沃·帕特(P·rt Arvo,1935-)独特音乐精神的钟鸣音乐,以其鲜明的风格与技法特征著称于20世纪西方音乐。对钟鸣音乐风格特征的探究自其诞生之日起也就不曾间断过。这种新音乐的风格是开放的、发展的,体现出"多样统一"的特征。本文尝试以围绕独具特色钟鸣作曲法为中心的技法风格为出发点,结合与之渗透的其它风格特征,将钟鸣音乐风格看成是一个主观和客观"对立统一"的合成型整体进行风格论述。Because of the distinctive style and technique characteristic, tintinnabuli have well - known of western music in the 20th century which flaunting the unique musical spiritual of P · rt Arvo. The exploring of tintinnabuli＇ s style has not stopped from the date of its birth it. The style of this music is open, development that which reflecting the Law of Unity of Opposites. The paper combined with other style characteristics as an objective which infiltration to the tintinnabula- tion technique style as a subjective starting point, than discussing them overall style characteristics and origin of P ~ rt Ar- vo＇ s tintinnabuli as Unity of Opposites.

关 键 词：阿沃·帕特 钟鸣音乐 拟声风格 阿维农 新古典主义 序列主义 神圣简约主义 

分 类 号：J614[艺术—音乐]