论清代中期英雄家将小说的繁荣与民族心理  

On Prosperity and National Psychology of Family Hero Novels in the Middle Qing Dynasty

作　　者：段春旭[1] 

机构地区：[1]福建师范大学文学院,福州350007

出　　处：《哈尔滨工业大学学报（社会科学版）》2013年第5期99-104,共6页Journal of Harbin Institute of Technology(Social Sciences Edition)

摘　　要：说唐、说宋英雄家将小说可以说是最直接体现明清民族斗争与民族矛盾的一种文学体裁,乾嘉年间出现了十多部家将小说并且刊刻异常频繁。与此前的英雄家将故事相比,这些小说反抗异族侵略的主题明显削弱,而较多的是宣扬忠奸斗争,倡导忠孝节义,强化了忠奸斗争而淡化了民族矛盾,加强了以英雄家将为代表的"汉"与少数民族政权的合作关系,表达了民族之间团结和好的观念。这一现象与清代的民族政策及汉族知识分子正统观的改变有着密切的关系。The family hero novels on Tang and Song stories are a literary genre most directly reflecting the national struggle and national contradictions in Ming and Qing dynasties. During Qianlong -Jiaqing years, more than ten such novels appeared and publication of these novels was extremely frequent. Compared to the previous family hero novels, these novels were weakened significantly in such themes that were against alien aggression, but rather more promote the Zhongjian （loyalty and treason） struggle, advocating filial piety. These novels strengthened the Zhongjian struggle while downplaying ethnic contradictions, strengthening the cooperation between the minority government and ＂ Han＂ represented by the family heroes, expressing the good wish for solidarity and harmony between peoples. This phenomenon was closely related to the Qing Dy- nasty~ national policies and changes of the Han intellectuals＇orthodox view

关 键 词：英雄家将小说 民族矛盾 民族政策 

分 类 号：I242.4[文学—中国文学]