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作 者:吴辻[1]
机构地区:[1]吉林大学珠海学院外语系
出 处:《世界文学评论(高教版)》2013年第1期164-168,共5页The World Literature Criticism
摘 要:日本近代作家国木田独步的短篇小说《河雾》,讲述了离乡20年的丰吉的回乡故事。本文从小说最后丰吉异常的离乡行为出发,对丰吉最后的结局做了符合逻辑的判断。并以此为线索,探讨了主人公丰吉为何会做出如此举动的原因,指出了丰吉此举背后所包含的两大现实主义因素——明治时代的出人头地主义和背井离乡的人与故乡之间的隔阂。这两大现实主义因素充斥着整个明治时代,它不仅酿成了很多现实中的丰吉式的悲剧,也浓厚了小说《河雾》中的悲剧色彩。Kawagiri is Doppo Kunikida's short story, which is about the home-returning story of Toyokiti. This paper makes a reasonable judgment about Toyokiti's final ending from the perspective of Toyokiti's abnormal exiling in the end of the story. On the foundation of this judgment, the writer points out the reason why the protagonist, Toyokiti, leaves his home, and two realistic factors behind Toyokiti's behavior. The two factors are "a notch above the others" doctrine in Meiji Era and the estrangement between the displaced and their homes. The whole Meiji Era is filled with these two real- istic factors, which not only lead to tragedies like Toyokiti in real life, but also aggravates the tragedy in Kazoagiri.
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