约翰·邓恩《歌与十四行诗》中的陌生化艺术  

Art of Defamiliarization in John Donne＇s Songs and Sonnets

作　　者：胡伶俐[1] 

机构地区：[1]湖南科技学院外语系

出　　处：《世界文学评论（高教版）》2013年第2期96-99,共4页The World Literature Criticism

摘　　要：以约翰·邓恩为代表的玄学派诗歌因创新的形式、独特的意象和诡辩的思辨受到了较多的谴责和批评。但是，随着新批评派的兴起．约翰·邓恩的诗歌得到了更多现代批评家和读者的青睐，究其原因，约翰·邓恩诗歌中的陌生化手法迎合了现代读者的需求。本文将分析约翰·邓恩《歌与十四行诗》中诗歌形式与意象技巧所体现出来的陌生化效果。The Metaphsical poetry represented by John Donne, for its innovative form, particular images, and sophistical thinking, received more blames and criticism. However, with the coming of New Criticism, John Donne＇s poetry was delighted and celebrated by modem critics and readers. The main reason lies in the technique of Defamiliarization in his poetry, which caters for the interest of the modem readers. This paper aims to explore the skill of Defamiliarization from two aspects： poetic form and images handling.

关 键 词：约翰·邓恩《歌与十四行诗》 陌生化 

分 类 号：I561.072[文学—其他各国文学]