中西方文学作品中的“春秋笔法”解读  

The Interpretation of Chunqiu Expression Style in Chinese and Western Literary Works

作　　者：叶荭[1] 

机构地区：[1]安徽大学英语教学部

出　　处：《世界文学评论（高教版）》2013年第2期188-192,共5页The World Literature Criticism

基　　金：国家社科研究项目(项目批准号:13 BYY016);安徽省教育厅人文社科研究项目(项目批准号:SK2013B48);安徽省教育厅教学研究重点项目(项目批准号:2012jyxm077)的阶段性成果

摘　　要：“春秋笔法”是中国古代一种重要的叙事方式，也是一种具有微言大义、一字褒眨、婉而成章等特征的修辞手法。本文以钱钟书和简‘奥斯丁小说为例，从“微而显”、“志而晦”、“婉而成章”、“尽而不污”四个方面比较中西方两位作家在运用“春秋笔法”提升作品审美价值，增强讽刺幽默效果，激发读者创造性参与和扩大阐释空间方面的不谋而合，探究“春秋笔法”在中西方文学作品中产生异曲同工之妙的深层修辞机理。Chunqiu Expression Style, with the main features of sublime words with deep meaning and ＂implicit narration＂, is an important way of narration and rhetorial speech in ancient Chinese. With abundant examples taken from Qian Zhongshu＇s and Jane Austen＇s novels, this essay tries to argue that Chunqiu Expression Style is widely employed in both Chinese and Western Literary Works and it has achieved impressive rhetorical effects in lifting aesthetic value,strengthening and deepening humor and sarcasm, expanding interpretation space.Meanwhile, this essay tries to do research work on its rhetorical theories.

关 键 词：春秋笔法 钱钟书小说 简·奥斯丁小说 修辞机理 

分 类 号：I267[文学—中国文学]