越剧在全国流播的现象及本质  

Nationwide Spread of the Yue Opera and Its Nature

作　　者：沈勇[1] 

机构地区：[1]浙江艺术职业学院创作中心,杭州310053

出　　处：《文化艺术研究》2013年第2期110-118,共9页Studies in Culture and Art

摘　　要：正视越剧流播的这段历史,理性地看待越剧在全国的流播历程,就不得不承认越剧在20世纪50年代的爆炸式发展是时代、政治、剧种特色以及剧种精神等因素共同作用的结果,当前越剧回归她的诞生地是一种理性的表现。今天的越剧应以"应该"表现什么为重心,以"善于"表现为基础,以时代的"需求"为动力,以艺术本体合规律性的发展变化的"可能性"为参照,并在四者的合力中进行优化选择。剧种的辉煌是艺术本身魅力的散发,只有这样的辉煌才是真实与可信的,我们期待这一天的到来。When we face up to the history of Yue Opera＇s spread and look at its journey in the whole cotmtry rationally, we would have to admit that the explosive growth of the opera in the 1950s is a joint work of various factors including the era, politics, features and spirits of the genre. Now the opera returns to its origin as a manifestation of reason. It should make optimized choices by putting emphasis on what ＂should＂ be presented on the basis of adeptness in presentation and finding motivations from the ＂de- mands＂ of the age in reference to the ＂possible＂ development and change of artistic rules.

关 键 词：越剧 流播 现象 原因 发展思考 

分 类 号：J809.9[艺术—戏剧戏曲]