从《梅边吹笛谱》看清代学人之词的新变  

The Innovation in Ci Poetry by Scholars of Qing Dynasty as Seen from Meibianchuidipu

作　　者：李睿[1] 鲍恒[1] 

机构地区：[1]安徽大学文学院,安徽合肥230039

出　　处：《安徽农业大学学报（社会科学版）》2013年第5期79-83,共5页Journal of Anhui Agricultural University:SOC.SCI.

基　　金：国家社会科学基金项目(10BZW055:<清代词谱之文学研究>);安徽省哲学社会科学规划项目(AHSK09-10D33:<清代安徽词人群体研究>)

摘　　要：乾嘉时期为经学繁盛的时代,词学也衍生出新变的质素。学人之词成为词坛的创作主流,词体之尊基本实现。凌廷堪的《梅边吹笛谱》体现了创作与词学的交融,具有较高的艺术价值,体现了清代学人之词的特质。The period of Qianlong and Jiaqing was a properous period of the Confucianism, so there were also some innovative aspects in the field of Ci poetry during this period. The Ci poetry by some scholars represented the main stream in the field and the status of Ci had improved. The combination of practice and theory is shown in Ling Tingkan＇s Meibianchuidipu, which has a rather high aesthetic value, presenting the specific features of the Ci by scholars of Qing Dynasty.

关 键 词：《梅边吹笛谱》 凌廷堪 清代 学人之词 

分 类 号：I207.23[文学—中国文学]