闻一多诗歌的公共性与个人性关系之微探  

An Investigation of the Public and Personal Nature in Wen Yiduo's Poems

作　　者：童敏[1] 

机构地区：[1]西南大学中国新诗研究所,重庆北碚400715

出　　处：《重庆三峡学院学报》2013年第5期88-91,共4页Journal of Chongqing Three Gorges University

基　　金：重庆市社科规划项目"中国新诗的公共性研究"(2012YBWX087)阶段性成果

摘　　要：文学公共性是借用哈贝马斯在社会学领域提出的公共性概念形成的。文学公共性概念的提出为我们对中国文学的反思与研究提供了新的视角。从文学公共性的角度,通过文学公共性与个人性的关系阐释与解读闻一多的诗歌是一个新的尝试,一方面拓宽了闻一多诗歌研究的视野,另一方面能够从整体上把握闻一多诗歌的创作。闻一多诗歌创作"泾渭分明"的前后分期实则是交织了一条公共性与个人性编织的红线。The term “the public nature of literature” is borrowed from the concept of publicity raised in Habermas’s sociology. It provides a new angle to reflect and research on Chinese literature. It is a new attempt to interpret Wen Yiduo’s poems from the angles of literary publicity and the relation of public and personal nature. This attempt broadens the vision of the research and is conducive to having a global grasp of Wen Yiduo’s poems. The clear division of his poetic creation stages reflects the intervening of public and personal nature.

关 键 词：闻一多 诗歌 公共性 个人性 

分 类 号：I207.25[文学—中国文学]