金庸小说比武招亲母题与民国武侠叙事  

The Theme of Contesting for Marriage in Jin Yong'S Novels and Martial Arts Narrative in the Republic of China

作　　者：刘卫英[1] 

机构地区：[1]大连外国语大学文化传播学院,辽宁大连116044

出　　处：《嘉兴学院学报》2013年第5期15-21,共7页Journal of Jiaxing University

基　　金：2012年辽宁省社科规划基金项目(L12DWW008)

摘　　要：金庸小说比武招亲母题有巨大开创性。除了渊源于佛经文学和明清小说,也离不开民国武侠小说的影响。武侠小说突出女性的主体地位与性别文化坐标的微妙变化,也表现复杂地方势力的背景揭示与招亲的曲折。金庸小说中穆念慈、完颜康的比武是一条明线,而黄蓉、郭靖的初识与友好,可以作为"招亲"的另一种形式。两相相较,后者没有张扬的明确目的,却有如影随形无法预测的危险性。这又较民国早期小说家更增加了现代的自由意志。Jin Yong＇s novels enjoy great initiative on the theme of contesting for marriage which influenced by the martial arts novels in the Republic of China and its sources Buddhist literature and fictions of the Ming and Qing Dynasties. Martial arts novels show delicate changes in order to outstand female＇s dominant position and gender culture and also show the complicated local background and winding process to contest for marriage. In Jin Yong＇s novels, Mu Nianci and Wan Yankang＇s marriage obtained by contesting is an open line while Huang Rong and Guo Jing＇s acquaintance and affection is another expression of contesting for marriage. By comparison, the former has no clear purpose but accompanied with unpredictable dangers which proves that Jin Yong pays closer attention to modern free will than early novelists in the Republic of China.

关 键 词：比武招亲 金庸小说 母题 自由意志 

分 类 号：I207.425[文学—中国文学]