生态美学视域下的许地山创作  

The Creation of Xu Dishan on the View of Ecological Aesthetics

作　　者：周伟薇[1,2] 

机构地区：[1]集美大学文学院,福建厦门361021 [2]厦门大学中文系,福建厦门361005

出　　处：《华侨大学学报（哲学社会科学版）》2013年第3期134-140,共7页Journal of Huaqiao University(Philosophy & Social Sciences)

基　　金：教育部人文社会科学基金青年项目(12YJCZH313)

摘　　要：许地山的创作呈现出鲜明的生态美学特征,具体表现在世界的返魅、反人类中心主义与生态自我三个方面。其创作显现的生态美学特征植根于深厚的宗教文化土壤,尤其是基督教与佛教。基督教与佛教构成了其创作的神学基础,并给予其创作深层的理论底蕴和书写动力。Xu Dishan＇s creation exhibited obvious characteristics of ecological aesthetics which presented three factors; the reenehantment of world, anti-anthropocentrism and ecological self. The ecological aesthetic features in his works were rooted in deep religious-cultural soil, especially Christianity and Buddhism, which constituted the theological foundation of his creation, and gave him the theoretical thought and writing motivation.

关 键 词：生态美学 许地山 世界的返魅 反人类中心主义 生态自我 

分 类 号：I206.6[文学—中国文学]