从现实到虚妄——《玻璃山》中后现代性的语言游戏  

Language Games of Post-modernity in The Glass Mountain

作　　者：毛延生[1] 

机构地区：[1]哈尔滨工程大学外语系,黑龙江哈尔滨150001

出　　处：《海南师范大学学报（社会科学版）》2013年第7期72-76,共5页Journal of Hainan Normal University(Social Sciences)

基　　金：哈尔滨工程大学优秀引进人才项目(HEUCFR1131);中央高校基础科研项目(HEUCF131202)的阶段性成果

摘　　要：巴塞尔姆的短篇小说《玻璃山》围绕"玻璃"意象,借助后现代性作品的诸多"语言游戏"手段,完成了小说"从现实到虚妄"的主题建构。小说采用了反形式的手段来证明陈旧的叙述形式与内容信度缺失,进而证明"语言游戏"思想是呈现后现代作品解构与颠覆之后狂欢化的一把利器。Focusing on the image of ＂glass＂, via the presence of linguistic devices like language games, The Glass Mountian by Barthelme manages to construct the theme of the novel into ＂fluctuation from reality to illusion＂. In particular, carnivalistic manners are exploited to prove the bluntness of reliability between narrative forms and contents, further lending support to nail down the idea of deconstruction and subversion in post-modern novels. Language Games as a very sharp weapon to represent the

关 键 词：《玻璃山》 后现代性 语言游戏 

分 类 号：I106.4[文学—世界文学]