扬州设局查办戏剧违碍与清代禁戏的制度化  

Yangzhou's Establishing Agency of Investigating and Dealing with Drama and the Institutionalization of Qing Dynasty's Ban of Drama

作　　者：丁淑梅[1] 

机构地区：[1]四川大学中国俗文化研究所

出　　处：《文化遗产》2013年第3期58-67,157,共10页Cultural Heritage

基　　金：国家社科基金项目<中国古代禁毁戏剧编年史>(项目编号:09BZW040);教育部人文社科重点研究基地重大项目<清代戏曲禁毁与管理研究>(项目编号:10JJDZONGHE012)的阶段性研究成果

摘　　要：乾隆一朝是戏曲高度繁荣的时代,而官方的制度性禁戏也全面展开。扬州设局查办戏剧违碍,作为乾隆禁书扩大化和清代禁戏制度化的一个双重扭结点,昭示了帝王谕旨禁戏的权力话语覆盖地方政权和布控基层社会的过程。讨论扬州查缴戏曲在清代禁戏制度化中的许多不为人知的细节,可以进一步考察清代后期戏曲创作主体精神的隐遁,以及昆弋大戏向花部乱弹递嬗、以文本创作为中心向以表演伎艺为中心的戏曲形态裂变。Chinese drama highly prospered in Qianlong dynasty,meanwhile the institutional ban of drama by government was in full swing.As a dual knot of Qianlong government' s magnifying the scope of banning book and the institutional ban of drama,setting up an agency in Yangzhou to investigate drama breach of taboo shows the process which emperor' s power of commanding the ban of drama covered local authorities and control over grass- roots society.To discuss the unknown details of investigating and capturing drama in Yangzhou could further explore the reclusion of drama composition subject spirit in the late Qing dynasty,and the transformation from Kunyidaxi(昆弋大戏) to Huabuluantan(花部乱弹),from the text- centered creation to the performance- centered one

关 键 词：扬州设局 戏剧违碍 删改曲本 清代禁戏 制度化 

分 类 号：I207.3[文学—中国文学]