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作 者:黄元英[1]
出 处:《西北大学学报(哲学社会科学版)》2013年第5期27-32,共6页Journal of Northwest University:Philosophy and Social Sciences Edition
基 金:国家社科基金西部项目(11XZW019)
摘 要:对民俗的发现使白居易在诗歌理论上实现了突破,其诗作拥有了开阔的视野和丰富的题材,特有的纵深度和厚重感,浓厚的生活味、巨大的亲和力和举重若轻的表现力,尤其是曝晒陋俗以针砭时弊,收到震聋发聩、刺心入髓的艺术效果。白居易为后人留下三千多篇诗文,他的诗歌描写风土民俗内容全面,范围广阔,反映了中唐社会的民俗风貌。白居易不是对风土民俗进行静态观察和平面记录,而是由表及里的深入开掘,以独特的艺术形式和别出心裁的艺术结构,将风土民俗艺术化,并内化为诗作的重要元素,开创出诗歌创作的新境界。The discovery in folklore exerts a breakthrough in Bai Juyi's poetry, which helps his poetry to have a broad vision and rich theme. The unique depth and weight, abundant taste of life, great intimacy and delicate ex- pression, especially the criticism of evils by exposing undesired customs, have produced profound and piercing effect. Bai's poetry, with carrier of folklore, reflects the reality of life, depicts the subtle change of his inner world, exposes the deep change of social mentality, and records the fluctuation of social change. What he left to his de- scendants are not only over three thousand poems, but also rich history of folklore in middle Tang Dynasty. Bai Juyi did not observe the customs statically with plain recording, but with exploration from the surface to the inner part, and produced art with unique artistic form and original structure, and internalized them as the the important poetic element, thus produced a new extent for poem creation.
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