略论魏晋时期世家大族的书法传承与革新  

On the Inheritance and Innovation of the Practices of the Calligraphy in the High-ranking Official Families in the Wei and Jin Dynasties

作　　者：柳称[1] 

机构地区：[1]南开大学历史学院,天津300192

出　　处：《西北大学学报（哲学社会科学版）》2013年第5期100-104,共5页Journal of Northwest University：Philosophy and Social Sciences Edition

摘　　要：家族式的书法传统肇始于东汉中期以后,父子、兄弟相承授者不乏其人。魏晋时期,这种书法传统发展到了顶峰,其形成与士族注意家风的培养和家学的传承有关。魏晋世家大族在书法传承上的主要贡献有四:士族身份对书法的传播有重要促进作用;纸笔等书写工具在士族间的使用,对书法的传播有直接推动作用;世家大族在书法传承中曾经引领潮流;其时的书法理论著作主要产生于世家大族之中。从同为士族的河东卫氏与琅琊王氏的书法比较中可以看出,作为一种艺术形式,书法既需要继承传统,又需要大胆创新,如此方能适应艺术发展演变的一般规律。The origin of family calligraphy education started from the middle of the East Han Dynasty. There are many examples of sons learning from their fathers and younger brothers learning from their elder brothers. In the Wei and Jin Dynasty, this pattern of learning reached its peak, which is a result of those official families paying much attention to the cultivating of their family ethics and the inheritance of family learning. There are three main contributions achieved by the high - ranking official families in their inheritance of calligraphy education. First, their identity promoted the popularity of calligraphy practice; second, the fashion of using rice paper and writing brushes among big official families directly propel the spreading of the tradition; third, they took the vanguard in the inheritance of calligraphy tradition. At that time, the theoretical works on calligraphy were mainly written by those members from big official families. From the comparative study of the calligraphy works of the Wei Family in Shanxi and the Wang Family in Shandong we found out that： as an art form, calligraphy needs both traditional in- heritance and brave innovation to adept to the general rules of evolution and development in the art field.

关 键 词：书法传承 魏晋时期 世家大族 泥古与革新 

分 类 号：K237[历史地理—历史学]