《浙江潮》诗歌与晚清革命诗潮  

The Undercurrent of the Poetry in “Zhejiang tide” and the Poetry Revolution in the late Qing Dynasty

作　　者：朱秀梅[1] 

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《河南大学学报（社会科学版）》2013年第5期105-109,共5页Journal of Henan University(Social Sciences）

基　　金：2011年度国家社科基金重大招标课题"期刊史料与20世纪中国文学史"(11&ZD110)阶段性成果

摘　　要：1903年,一场以宣扬民族民主革命为旨归的革命诗潮依托近代报刊迅猛兴起,《浙江潮》"文苑"栏目诗歌汇入了这一时代大合唱之中。《浙江潮》诗歌以激发民气、唤起国魂、鼓吹民族主义思想、标榜民主自由精神为主旋律,既是忧国之潮和愤世之潮,又是醒世之潮和警世之潮,更是救国之潮和兴国之潮,亡国灭种之忧患与救亡启蒙之热忱相交织,谱写出时代的华彩乐章。《浙江潮》诗歌大体秉承了梁启超发起的诗界革命的革新精神与路径,大量运用新名词,努力开拓新意境,注意保留古风格,构成了诗界革命运动的有机组成部分,促进了中国诗歌的近代化变革。In 1903, in order to promote the national democratic revolution, the Poetry Revolution tide, relying on modern newspapers, rose rapidly. The poetry of ＂literature garden＂ in ＂Zhejiang tide＂ joined the chorus of the Poetry Revolution in this era. The poetry in ＂Zhejiang tide＂ had been trying to stimulate the bull, arising the spirit of advocating nationalist ideology, democratic spirit of freedom. The poetry in ＂Zhejiang tide＂ had been trying to adhere to the innovation spirit which Liang Qichao launched in the Poetry Revolution, using a lot olf new words, making efforts to develop new artistic conception with the ancient style. The poetry in ＂Zhejiang tide＂ had constituted an integral part of the poetry revolution movement, and promoted the modernization of the Chinese poetry.

关 键 词：晚清 《浙江潮》 革命诗潮 诗界革命 

分 类 号：I206.6[文学—中国文学]