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机构地区:[1]东北林业大学材料科学与工程学院,黑龙江哈尔滨150040
出 处:《齐齐哈尔大学学报(哲学社会科学版)》2013年第5期133-134,共2页Journal of Qiqihar University(Philosophy & Social Science Edition)
摘 要:康熙瓷器人物纹饰的风格、特征等研究较多,而从形式语言的描述性、叙事性、线条语言性、简洁性、直接性五个角度研究人物本身形式,揭示出康熙人物纹饰具象形式的描述与叙事语言,以简化繁、以少胜多、突出主题、强化思想,线条语言的丰富情感突出了画面的简洁性,而直接性恰是人物纹饰的内核美所在。The popular identification recently promotes people' focus on chinawares of Kangxi period. Researches on character decoration mainly focus on style, characteristics' discourse, but there are few researches on the characters themselves and no research on specific formal language. Therefore, the paper revealed the specific formal description and narrate language of character decoration in Kangxi period from the views of descriptive, narrativity, linear linguistic, conciseness and substantivity of forms. The aim is to change complexity to simplicity, many to little, to highlight the theme, to strengthen the method. Abundant emotion of linear linguistics sticked out the conciseness of the pictute. And the substantivity is the inner key aesthetics of the character decoration.
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