《妮侬》:施蛰存“现代”志怪小说的意义  

Shi Zhecun' s Modern grotesque Novel Debt to Ni Nong

作　　者：王涛[1] 

机构地区：[1]成都大学文学与新闻学院,四川成都610000

出　　处：《北方论丛》2013年第5期35-39,共5页The Northern Forum

基　　金：教育部人文社会科学研究青年基金项目资助"行旅中的建构与喻辞:埃德加.爱伦.坡在中国的传播与接受研究"(编号:13YJC751058)

摘　　要：施蛰存创作中的"怪诞"因素一直深为包括严家炎、李欧梵、刘禾、史书美等人在内的学界所关心。施蛰存早期对美国擅长怪诞写作的作家爱伦·坡的模仿之作《妮侬》,召唤出了施蛰存审美趣味上对"志怪"因素的偏好,在创作中对"志怪"小说进行了形式转化,在叙述技巧上对"怪诞"进行内倾化、情绪化写作,从而使得在当时被批判的"志怪"题材重新进入"新"文学的视野,并在新文学史上获得一席之地。The Ugrotesque＂ factor in Shi Zhecun＇ s Writing has deeply attracted some scholars attention, including Yan GuY- an, Leo Ou -fan, Lydia H. Liu, Shih, Shu - Mei. Looking back to his early work Ni Nong, an imitation of the America writer Ed- gar Allan poet s grotesque writing, this paper analyse the significance of Ni Nong in his writing career. While Ni Nong as an intima- tion work of Edgar Allan poe＇ s grotesque writing, conjures his aesthetic interests for grotesque, it is so defferrent from his other imi- tation work in his early writing practice. He made efforts to modernize the grotesque novel including the emotional writing in the narra- tive techniques. His success is that he made the grotesque writing back into the new literature history, and gain a foothold.

关 键 词：爱伦·坡 施蛰存 《妮侬》 “现代”志怪小说 

分 类 号：I207.42[文学—中国文学]