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作 者:赵曦
机构地区:[1]中国非物质文化遗产研究院,四川绵阳621000
出 处:《地方文化研究》2013年第4期85-90,共6页Local Culture Research
基 金:2011年度国家社科基金项目<羌族宗教文化与非物质文化遗产研究>(编号:11BZJ030)阶段性研究成果
摘 要:从灾难人类学的角度看,灾后文化重建是人类传统文化常态的断裂与非常态建构前所未有的重要活动。灾难人类学的研究必然以文化为视角,突出社会与人文关怀。一方面调和常态变与不变、宏大与微观序列过程;一方面向着不同阈限取向。羌族文化的重建,其中比格扎、白黑黄三维结构、刮巴尔是羌族释比文化固有的常态机制与微观之属,其在巨大灾难后的非常态重建中,有着灾难人类学研究应用取向的实证个案意义,同时也是灾难后抢救、减灾、生态发展的现实实践紧迫诉求。From the perspective of disaster anthropology, post-disaster reconstruction is unprecedented important ac- tivities in the fracture of human traditional cultural norm and abnormal reconstruction. Research on disaster anthropology is inevitable from cultural perspective, highlights the social and humanistic care. On the one hand it needs to reconcile the norm changed and unchanged, ambitious and micro-sequence process; on the other hand toward different approaches. Qiang cultural reconstruction, where Bi Gezha, the three-dimension structure of white, black and yellow, Guabaer is Qiangs" Shibi culture and microscopic mechanisms inherent in the normal case, has a disaster anthropological research and application oriented significance of empirical cases in its huge post-disaster abnormal reconstruction, also is the ur- gent demands of real practice in disaster rescue, mitigation, ecological development.
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