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作 者:李新[1]
出 处:《敦煌研究》2013年第4期25-32,128,共8页Dunhuang Research
摘 要:敦煌莫高窟第61窟西壁《五台山图》中绘有新罗王塔、新罗送供使、高丽王使及菩提之庵等图像,是敦煌莫高窟所保存的古代朝鲜半岛的文化遗珍。新罗王塔的建造者为统一新罗国高僧慈藏,建造年代在贞观十二年至贞观十七年(638—643)之间;新罗送供使及高丽王使图中出现的不同身份的人物,反映出的当是统一新罗国末期和高丽国建国初期的人物及其冠帽服饰;菩提之庵推测是在新罗高僧慧超大师出家、修行、译经的菩提寺旧址上所建之庵。第61窟《五台山图》所据底稿的绘制年代当不晚于后唐。上述资料为古代中国与古代朝鲜半岛文化友好交往的见证,值得珍惜,值得研究。The Map of Mt. Wutai on the west wall of Mogao cave 61 contains a few scenes, such as the "pagoda of SiUa king," "envoy sent by Silla to pay tributes; envoy of Korean king" and the "bodhi hut," which provide valuable information about the ancient culture of the Korean Peninsula. "Pagoda of Silla king" was built by Buddhist master Chajang from the united Silla kingdom between the 12-th and 17-th years of the Zhenguan era during the Tang dynasty. Figures of different identifies both in the scene of the "envoy sent by Silla to pay tribute" and the scene of the "envoy of the Korean king" have provided a glimpse of the costumes of the united SiUa and Korean kingdoms in the Later Tang dynasty. Furthermore, the "bodhi hut" was supposed to be the monastery built on the site of a previous monastery where Chajang denounced thesecular life, practiced Buddhism, and translated Buddhist scriptures. The draft of Mt. Wutai would have been drawn no later than the Latter Tang in the Five Dynasties. The above-mentioned images bear witness to the friendly communication and cultural exchanges between China and the ancient Korean Peninsula, and so are worth studying.
关 键 词:五台山图 新罗王塔 新罗送供使 高丽王使 菩提之庵
分 类 号:K879.4[历史地理—考古学及博物馆学] TS941.1[历史地理—历史学]
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