惜别樱桃园——马恩悲剧观视域下的《樱桃园》  

Farewell Reluctantly with the Cherry Orchard——"The Cherry Orchard" under the Perspective of Marx and Engels' View of Tragedy

作　　者：黄文凯[1] 

机构地区：[1]苏州大学文学院,江苏苏州215123

出　　处：《贵阳学院学报（社会科学版）》2013年第4期75-77,共3页Journal of Guiyang University:Social Sciences

基　　金：广西师范大学漓江学院2013年度广西高等教育教学改革工程立项项目(项目编号:2013JGA424)阶段性成果

摘　　要：恩格斯从社会发展角度解释悲剧,认为构成悲剧的基础是"历史的必然的要求与这个要求的实际不可能实现之间的冲突"。这构成了不少学人对马恩悲剧观的全部理解并视之为万古不变的教条。但就马克思恩格斯整个悲剧观来看,这是失之片面的。在马恩的悲剧观中,旧社会的没落和毁灭也具有一定的悲剧因素,如契诃夫笔下的四幕抒情喜剧《樱桃园》。作为社会历史范畴和社会形态的象征,樱桃园有着自己的合理性和存在价值,但其无可挽回的毁灭恰如其分地表现了《樱桃园》凝重的悲剧色彩。Engels explained the tragedy from the perspective of social development,who deemed the basis of the tragedy conflict is the historical necessity requirements with the actual requirements can not be achieved.This constituted the eternal and unchanging dogma which numerous scholars regarded as entire understanding of the Marx and Engels＇ view of tragedy and it is inaccurate.Chekhov＇ four-act lyrical comedy ＂The Cherry Orchard＂ as a symbol of the social and historical category and social pattern which had its own reason and value of existence,but the irreversible destruction appropriately shows strong atmosphere of the tragedy ＂The Cherry Orchard＂.

关 键 词：悲剧精神 误读 《樱桃园》 

分 类 号：J805[艺术—戏剧戏曲]