光影里的魅惑——从传记电影《全蚀狂爱》看诗人兰波的影像传播  

The Charm of Light and Shadow——Poet Rimbaud's Image Propagation Reflected in the Film Biography of Total Eclipse

作　　者：甘秋霞[1] 

机构地区：[1]西华师范大学文学院,四川南充637009

出　　处：《西华师范大学学报（哲学社会科学版）》2013年第5期1-6,共6页Journal of China West Normal University:Philosophy & Social Sciences

基　　金：四川省教育厅科研项目(XBYJC201001)

摘　　要：法国诗人兰波的故事和形象因传记电影《全蚀狂爱》得到了空前的传扬。但因商业性和艺术性的需要,传记电影对传主兰波进行了适度的加工和改写。《全蚀狂爱》在内容上着眼于艺术和性的诗意纠缠,在镜头上通过重复蒙太奇的诗意呈现和身体肉欲的赤裸张扬进行表现。这在促进大众认识和理解兰波及其诗歌艺术的同时,也会在一定程度上误导大众对于兰波形象的理解和接受。French poet Rimbaud＇s stories and images are spread far and wide on an unprecedented scale for the film biography of Total Eclipse. But due to the commercial and artistic factors, biographical film moderately processes and rewrites the hero Rimbaud. Total Eclipse focuses on poetic entanglement of art and sex in the content, repeats the poetic presentation by means of motage and presents sensual body through the lens performance which is helpful in the promotion of public awareness and understanding of Rimbaud and his poetry art and in a certain extent is pos- sible for people to have a understanding and acceptance of Rimbaud＇s image.

关 键 词：传记电影 《全蚀狂爱》 兰波 影像传播 

分 类 号：J905[艺术—电影电视艺术]