在路上:荒诞的存在与个体的反抗——对托尼·莫里森《仁慈》中“反抗哲学”的文化阐释  

On the Road:the Absurd Existence and the Rebellion of the Lonely Self: The Cultural Interpretation of Toni Morrison's A Mercy through“the Philosophy of Rebellion”

作　　者：王丽[1] 

机构地区：[1]河南大学大学外语教学部,河南开封475001

出　　处：《河南师范大学学报（哲学社会科学版）》2013年第5期156-159,共4页Journal of Henan Normal University(Philosophy and Social Sciences)

基　　金：2012年教育厅人文社会科学研究项目(2012-QN-044)

摘　　要：托尼·莫里森的《仁慈》发表于2008年,随即引起了评论界的广泛关注和好评。论者涉及小说的叙事、美学特质,以及性别、种族、社会、伦理乃至文化等方面,然而目前还没有批评文章通过加缪的"反抗哲学"的角度进行解读。在这部小说中,作者通过刻画一个个荒诞的世界中孤独的个体,倡导了依靠自我,为着自我的反抗之路。这种反抗也许没有结果,甚至没有胜利的希望,但是却在反抗的过程中体现了个人存在的价值,而这正是加缪哲学思想最本质的特征。Toni Morrison＇s A Mercy was published in 2008. It aroused great attention and positive comment among critics immediately after publishing. The critical works are mainly about the narrative, aesthetics, sex, race, sociology, ethic, and culture, but none of them are from the perspective of Camus＇ ＂Rebel Philosophy＂. By portraying the lonely individuals in the absurd world, Toni Morrison proposes rebellion by himself and for himself. Although the rebellion is forever being renewed, it reflects the value of existence. This is the essence of Camus＇ philosophical thinking on which this paper is going to analyze.

关 键 词：《仁慈》 荒诞 反抗 孤独 加缪 

分 类 号：I106.4[文学—世界文学]