心理现实和社会写实的双重观照——论《沧浪之水》的叙事特征  

Double Perspective of Psychological Reality and Social Realism——On the Narrative Features of The Water of Canglang

作　　者：郑国友[1] 

机构地区：[1]湖南第一师范学院中文系,湖南长沙410205

出　　处：《北京化工大学学报（社会科学版）》2013年第3期50-53,12,共5页Journal of Beijing University of Chemical Technology(Social Sciences Edition)

基　　金：湖南省教育厅资助科研项目"百年中国官场小说的历史形态及精神重建"(项目编号:13C156);湖南第一师范学院2012年度科研资助项目"百年中国官场小说的历史形态及精神重建"(项目编号:XYS12S09)的阶段性成果

摘　　要：阎真的《沧浪之水》在真实地反映现实生活的同时,在叙事上更侧重于写出池大为在进入官场后的心理状态、情感变迁及灵魂轨迹,是一部文学意义上的知识分子心灵史。不管是在心理层面的主观表现,还是从社会现实层面的客观再现,《沧浪之水》的叙事指向表现出一致性,共同深度探寻着社会转型期"当代知识分子的生存困境"。阎真在《沧浪之水》中创造的这种独特的创作方式,拓展了现实主义的表现空间,深化了现实主义的表现境界。Yan Zhen＇ s novel The Water of Canglang is a literary history on intellectuals＇ spirits, objectively reflecting the real life and attaching more attentions to Chi Dawei＇ s changes in mind, emotion and spirit after entering officialdom in narration. The Water of Canglang is consistent in narrative, both in the subjectively psychological analysis and the objective reflection on social reality. That is, the living dilemma of the contemporary intellectuals in the transforming society has been explored in this novel. The unique writing style created by Yan Zhen in The Water of Canglang has widened the performance space of realism and further deepened the performance realm of realism.

关 键 词：《沧浪之水》 心理现实 现实主义 叙事特征 

分 类 号：I207.425[文学—中国文学]