宗教与民俗双重视野下看婺剧“踏八仙”的价值——以《文武八仙》为例  

On the Value of Wu Opera“Rhythmic Dance of Eight Immortals”from Religious and Folk View——Taking Eight Civil and Military Immortals as an Example

作　　者：陈子扬[1,2] 

机构地区：[1]华中师范大学音乐学院 [2]天津体育学院运动与文化艺术学院

出　　处：《浙江艺术职业学院学报》2013年第3期22-25,共4页Journal of Zhejiang Vocational Academy of Art

基　　金：2010年度教育部人文社会科学研究规划基金项目<地方戏曲进入高师音乐教育体系的构建研究>成果之一。(项目编号:10YJA760083)

摘　　要：凭借宗教和民俗的超越性,艺术可以突破自身的"功用"价值和时空的局限而得以不断传承发展。对戏曲进行宗教性、民俗性研究极为重要,对保护和传承地方戏曲这类非物质文化遗产也具有十分重要的现实意义。婺剧传统演出剧目《文武八仙》,蕴含丰富的宗教、民俗要素,从宗教和民俗双重视角对其进行研究,具有一定的借鉴意义。With the transcendent religious and folk nature, art can break its ＂function＂ and and space to keep the inheritance and development. The study on religious and folk character the limitations of time of drama is extremely important and is of important practical significance for the protection and inheritance of intangible cultural heritage. The traditional repertoire of Wu opera Eight Civil and Military Immortals contains a wealth of religious and folk ele- ments. It has a certain reference significance to have a research from the dual perspective of religion and folklore.

关 键 词：婺剧 文武八仙 宗教 民俗 非物质文化遗产 

分 类 号：J825[艺术—戏剧戏曲]