新诗的现代意识与母语意识  

New Poetry's Modern Sense and Consciousness of Our Mother Tongue

作　　者：姜耕玉[1,2] 

机构地区：[1]东南大学艺术学院 [2]东南大学世界华文诗歌研究所

出　　处：《南京社会科学》2013年第9期125-130,共6页Nanjing Journal of Social Sciences

摘　　要：20世纪末,新诗在冲破封闭的传统与极左政治文化的僵局中,尤其是八十年代后期"后新诗潮"对诗本身的冲击,导致新诗本来就很脆弱的形式,其汉语言艺术更加黯然失色。新诗陷入有魂无面的邋遢境况,其根由是失去母语意识的现代意识所致。新诗建设,归根到底就是对母语的探寻。新诗的语言形式,离不开汉语的特性,新诗形式的创造是现代汉语诗意的创造。几千年的古代汉语诗歌提供了重要资源,有助于现代汉语诗意结构的探索与创造。Breaking through the confine of closed traditions and leftism at the end of the 20th century, especially the impact of ＂ Post-New artistic beauty in form of Chinese characters. Poetry＂ in the late 80s, led New Poetry to a decay of This phenomenon resulted from the popularity of losing consciousness of our mother tongue. To construct a new poetry form is to explore a mother language. New Chinese poem writing cannot do without the consideration of special features of Chinese characters. Creating a new form at a lexical level in a poem is in fact creating a poetic meaning. Classical Chinese poetry with its history of thousands of years can serve as a fundamental resource, helping explore and create the special implication of a modem Chinese ooem.

关 键 词：现代意识 母语意识 汉字精神 创造力 

分 类 号：G207.2[文化科学—传播学]