王国维视域中的周邦彦词  

Zhou Bangyan's Ci in the View of Wang Guowei

作　　者：曹旭[1] 陆路[1] 

机构地区：[1]上海师范大学人文与传播学院,上海200234

出　　处：《上海师范大学学报（哲学社会科学版）》2013年第5期52-60,共9页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

摘　　要：一个诗人的成就大小、风格特征本质上是后人对该诗人的接受。不同的视域会有不同的接受,产生不同的评价。王国维视域中的周邦彦,是一个如诗中杜甫的集大成者。周邦彦以其抑扬顿挫的格调,发展了柳永、张先的慢词,形成了浑厚、典雅、缜密的艺术风格,开了南宋姜夔、吴文英格律词派的先河。杜甫是唐诗的"集大成"者;周邦彦是宋词的"集大成"者,王国维称之为"词中老杜",两者类比,备受学术界的关注,亦颇受质疑,多有误解。作者试图通过对周词题材、语言、音律、风格,以及多用典故、善创新调等多重角度分析,阐释王国维该评价的原因,并在此基础上,论述王国维视域中具有"老杜元素"的集大成式的周邦彦词。The achievements of a poet and his poetic style essentially depend on the acceptance of later generations. Different perspectives result in different acceptance and comments. Wang Guowei regarded Zhou Bangyan as great as Du Fu. Zhou Bangyan, a prominent master of Song Ci, developed Liu Yong and Zhang Xian＇ s Man Ci with his stylistic mode of melancholy and cadence, established the artistic style of vigorousness, elegance, and meticulousness, and initiated the school of meter in Ci later represented by Jiang Kui and Wu Wenying. Wang Guowei＇ s view of Zhou Bangyan as ＂Master Du in Ci＂ has attracted many scholars＇ attention and question. The paper elaborates Wang Guowei＇ s view of Zhou Bangyan as ＂Master Du in Ci＂ in respect of theme, language, rhythm, style, allusion and creation of new tone.

关 键 词：词中老杜 王国维 周邦彦 杜甫 

分 类 号：I207.22[文学—中国文学]